As Philip Stevick wrote in The Nation, Donald Barthelmes stories "stand as touchstones for narrative art of the last two decades." Great Days is an important addition to an already impressive body of work.
In o九-九-藏-书-网ther stories Barthelme explores the tragic, ambiguous relationship between Cortés and Montezuma, uncovers units of the Swedish army on maneuvers in Manhattan, offers a country-music version of Mozarts Abdu九九藏书ction from the Seraglio, describes a heroic cutting contest between a king of jazz and a young challenger, and provides an account of a group of zombies out on a wife-buying expedition.
Donald Barthelmes new book of stwww.99lib.netories, Great Days, is perhaps most notable for the presence of seven formally related dialogues, "The Crisis," "The Apology," "The New Music," "Morning," "On the Steps of the Conservatory," "The Leap," and "Great Days," which introduce a new aspect of his work. In these restless, possibility-haunted colloquies, stripped of everything save voices, changing pairs of womenhttp://www.99lib.net and pairs of men range an emotional terrain whose poles are hope and memory. Extravagant, profane, and comic, the dialogues are a considerable achievement, testing the possibilities of form and extending our engagement with the world.